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2112
All the Worlds a Stage
A Farewell to Kings
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Moving Pictures
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Lil Rush

Artwork


Bookmark: http://www.digitalrushexperience.com/database/review.php?RecordingID=1837
Media: 2 CDr Audio
Time:
Catalog: Markbot Master Series: MMS005
Source: Audience Master
Date: June 16, 2007
Location: Ford Ampitheatre, Tampa, Florida, USA



DISC 1
Intro
Limelight
Digital Man
Entre Nous
Mission
Freewill
The Main Monkey Business
The Larger Bowl
Secret Touch
Circumstances
Between The Wheels
Dreamline

DISC 2
Video Intro
Far Cry
Workin Them Angels
Armor And Sword
Spindrift
The Way The Wind Blows
Subdivisions
Natural Science (fades)



CD1 MD5 
c26ae1d257cf501bb617aed1b37dfc6f *01-Intro.flac 
930f4563cbed048107572adc7c858f2a *02-Limelight.flac 
a4cfd366ae1ffc3364b8bf1f3eb4a6e9 *03-Digital Man.flac 
e1b88e0e39063ca63ee7a08d71159ef4 *04-Entre Nous.flac 
7e93a94851466b586d8c1f52e9263b2d *05-Mission.flac 
643888c5ddfead86c96ebe23fa4d8180 *06-Freewill.flac 
df3484b560000cf7ec948221ef55f7bd *07-The Main Monkey Business.flac 
7c3ccc83480b61f6f6edc2c764604d15 *08-The Larger Bowl.flac 
8c03cc1ba289f824381484f252fd7050 *09-Secret Touch.flac 
97da60af96d6438d80cee0c28cfdffb3 *10-Circumstances.flac 
9391328d3fb78746af57d8b6bc6ae43f *11-Between The Wheels.flac 
b6b0d936065d86ef87dffc1527e152f3 *12-Dreamline.flac 

CD2 MD5 
bdf98508fd3645adf3f59e5f0a8d8aac *01-Video Intro.flac 
20817a98af2c9605023003089ba0ce2c *02-Far Cry.flac 
6c573334e29e94e65f6197fc5e9d0bce *03-Workin' Them Angels.flac 
fb9d22d2d346d49696805434cfccea0c *04-Armor And Sword.flac 
cab8b44172937be03906d203335d4264 *05-Spindrift.flac 
167475ca837f1ca163260225f84246fd *06-The Way The Wind Blows.flac 
c4b2737a36c8b5816068735b23186405 *07-Subdivisions.flac 
90be930562defdf3809648c09feb0908 *08-Natural Science.flac



Lil Rush Back Cover.jpg
Lil Rush Front Cover.jpg
Lil Rush Front Cover2.jpg


Average Rating:Audio: 9

Production Notes
  

Recorded from Orchestra 3
Recorded and mastered by Markbot

Lineage:
Coresound Binaurals (90 degrees)-> battery box (bass roll off on)->Edirol R-09 24 bit/48 KHz->Dane Elec 4GB SDHC->USB 2->PC->SoundForge 8->16 bit/44.1 KHz wav->TLH->FLAC

Other than the conversion to 16/44 this is the raw source. There was a recording level adjustment correction made during Between the Wheels. No EQ or any other sonic adjustments were made.

Excellent seats at an excellent concert with brand new recording equipment. What could go wrong? Well the Edirol display is bright as hell and it attracts security personnel like moths to a flame. When is Roland going to fix this non-stealth feature? The display needs to shut off after a few seconds. Anyways I was busted recording this show during Natural Science. Hence the fade. No one really wants to hear me try to convince the security guy the R-09 is a cell phone. It was worth a try. To make a long story short he took my memory card to go "erase it" and then he brought it back. Nothing was erased and now you have it. This was just my second show with the R-09 after making the move away from DAT earlier this week when I recorded Alan Parsons and Asia at Clearwater, FL. I think I finally got the hang of setting recording levels.

WARNING: I was close to the stage and there is a very loud pyrotechnics explosion during Far Cry. If you are cranking this recording be careful not to blow up you stereo or your ear drums. I can't be held responsible. You've been warned.

In a nut shell, what I did record sounds pretty darn good. There is some crowd noise, but the band was so loud it pretty much overpowers it. Hopefully someone else got the whole thing as I would really love to relive the complete show.

   (2007-06-17)

William Hildenbrand
   (Audio - 9)

This is a nice recording of a portion of the Tampa show. What is here is good, just the taper ran into some bad luck. What can you do. Fortunately we have what we have of this recording. I do not hold against any show when the taper gets caught. I listen to what is there and make a review according to what I heard. Stereo image was good, though there was some minor fluctuation of the high end frequencies. This experience shows us that people who take the risk of recording these shows are doing all of us a favor and deserve credit. Thanks to the taper!!    (2007-06-17)

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