Alphabetical Listing
Audio Only Listing
Video Only Listing
Rush
Fly By Night
Caress of Steel
2112
All the Worlds a Stage
A Farewell to Kings
Archives
Hemispheres
Tour of the Semispheres
Permanent Waves
Pre-Moving Pictures Tour
Moving Pictures
Exit Stage Left
First Tour of the Nadars
Signals
Pre-GUP
Grace Under Pressure
Second Tour of the Nadars
Power Windows
Hold Your Fire
Presto
Roll the Bones
Counterparts
Test For Echo
Vapor Trails
30th Anniversary
Snakes and Arrows
Snakes and Arrows Live
Time Machine
Miscellaneous
Feedback At Wembley

Artwork


Bookmark: http://www.digitalrushexperience.com/database/review.php?RecordingID=1685
Media: 3 CDr Audio
Time:
Catalog: Power Gate: POWER GATE-017
Source: Audience (DAT)
Date: September 08, 2004
Location: Wembley Arena, London, UK



DISC 1
Intro
R30 Medley
The Spirit of Radio
Force Ten
Animate
Subdivisions
Earthshine
Red Barchetta
Roll the Bones
Bravado
YYZ
The Trees
The Seeker
One Little Victory

DISC 2
Darn That Dragon Movie
Tom Sawyer
Dreamline
Secret Touch
Between the Wheels
Mystic Rythms
Red Sector A
Drum Solo
Resist
Heart Full Of Soul

DISC 3
2112 Overture/The Temples Of Syrinx/Grand Finale
La Villa Strangiato
By-Tor And The Snow Dog
Xanadu
Working Man
Summertime Blues
Crossroads
Limelight
Outro



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Rush 040908 FaW back.jpg
Rush 040908 FaW discs.jpg
Rush 040908 FaW front.jpg


Average Rating:Audio: 8

Jun'ya aka the_sphere
   (Audio - 8.5)

Sound Quality: A-/A (IMO)

Starts at the middle of Intro Movie and has entire show with no cut. Sound quality is very good. Has only a small amount of audience noise.? Low range sound is not so clear but pretty good.? released (start to sold) on Oct. 8, 2004

   (2005-07-02)

Rush0212
   (Audio - 7)

VG+   (2005-07-02)

Aramis K. Vidaurre Álvarez
   (Audio - 8.5)

Very good audience recording. Clear on the guitar (overlapped when the synthesizer gets in) and drums, but not so much for the bass. There is almost zero chattering or annoying conversations, except the usual cheering at the beginning or end of every tune. There is no much to say about the cover songs. Personally, FEED was not to deserve so much attention in their setlist. This is just of those shows where the guys perform the lyrics and notes by heart; they do not try to invent anything or do something spontaneously and when done, it doesn't fit. That is way there is something different –at least to my ears- in Geddy’s tones and voice by the last part of “Dreamline”. Perhaps he was annoyed by the constant feedback during the song. The guitar on “Secret Touch” and “Between the Wheels” (glad the play this one) is just powerful and compact (whatever that is (!!)). “Red Sector A” lacks sentiment, a little bit faster (much faster in certain segments); it was like running a race with Neil’s hi-hat louder that the strokes on the ride cymbals – which is a particular sound of RSA -. Even after the guitar riff, Geddy gets behind in the lyrics, and maybe it “sounds” because of the hi-hat effect. 2112 is great in performance and the audience’s chorus.    (2007-10-11)

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