Alphabetical Listing
Audio Only Listing
Video Only Listing
Rush
Fly By Night
Caress of Steel
2112
All the Worlds a Stage
A Farewell to Kings
Archives
Hemispheres
Tour of the Semispheres
Permanent Waves
Pre-Moving Pictures Tour
Moving Pictures
Exit Stage Left
First Tour of the Nadars
Signals
Pre-GUP
Grace Under Pressure
Second Tour of the Nadars
Power Windows
Hold Your Fire
Presto
Roll the Bones
Counterparts
Test For Echo
Vapor Trails
30th Anniversary
Snakes and Arrows
Snakes and Arrows Live
Time Machine
Miscellaneous
All Systems Go

Artwork


Bookmark: http://www.digitalrushexperience.com/database/review.php?RecordingID=1640
Media: 2 CDr Audio
Time: 71:29, 72:41
Catalog: Elements of Crime: DR-52597-2
Source: Audience (Digital Master Clone)
Date: May 25, 1997
Location: Woodlands Pavilion, Houston, Texas, USA



DISC 1
Driven   4:10
Half The World   3:56
Red Barchetta   6:52
Animate   6:42
Limbo   5:33
The Trees   5:28
Virtuality   6:12
Nobody's Hero   5:08
Closer To The Heart   5:27
2112   21:54

DISC 2
Test For Echo   7:06
Freewill   5:37
Red Sector A   5:18
Roll The Bones   6:26
Resist   4:24
Leave That Thing Alone   4:43
The Rhythm Method   9:02
Natural Science   8:03
Force Ten   4:46
The Spirit of Radio   5:03
Tom Sawyer   6:31
YYZ   5:39



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Average Rating:Audio: 6.5

The Digital Dan
   (Audio - 6.5)

The sound on this show isn't that bad, taken from a clone of the digital master. The drums sound great. The vocals and the guitar are buried in the mix, unfortunately. The recording is also a bit distant. There is a short burst of digi-noise at the beginning of Dreamline. While it does sound pretty good, compared to other shows from this tour, it isn't quite EX- material. Overall a very technical effort from the boys and Geddy is particularly talkative tonight. There is a keyboard failure to initialize at the beginning of Resist, otherwise a nearly perfect show    (2004-01-30)

Rush0212
   (Audio - 6.5)

VG/VG->VG/VG+   (2004-01-30)

Aramis K. Vidaurre Álvarez
   (Audio - 6.5)

Acceptable sounding boot (whatever it means!). The tape begins in the middle of “Driven”. The position where it was recorded allows you to perceive fairly the instruments but also the chattering (there is someone in the audience who really loves “Nobody’s Hero”). Nevertheless, there are some constant nuances in sound. The guitar is quite low; in “Limbo”, it is almost unperceivable. In general, the performance is average.   (2009-04-07)

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